Real Music Club | Upcoming Shows

Real Music Club | Upcoming Shows

Chuck Prophet & The Mission Express play The Errigle Inn on Wednesday 26 July (tickets on sale now) and Martyn Joseph plays Fitzroy Church on Thursday 16 November. Tickets continue to sell well for all our other shows so book early to avoid missing out. There are only a handful of tickets left for the Garry Tallent show in May. Watch this space for more new shows due to be announced in the coming days.

CHIP TAYLOR with John Platania

RAOB Club •  Thursday 27 April ’17
In association with Cathedral Quarter Arts Festival

Buy your ticket here

Songwriters Hall of Fame 2016  inductee Chip Taylor has been writing and performing for nearly 60 years  and shows no sign of slowing down. The New York Times says it  best, “If you only know him as the as the guy who wrote ‘Wild Thing’ and ‘Angel  of the Morning” — you don’t know him! Chip Taylor is making some of  the most distinctive acoustic music around today.” With the release of Little  Brothers, a charming and intimate collection of new songs, and the EP I’ll  Carry For You (inspirational songs for the 2016 Rio Olympics) he  continues to engage and delight music fans everywhere.

Creating distinctive music that is also enduring and influential has been Chip Taylor’s  métier over the course of what is closing in on five decades as “one of  America’s finest songwriters as well as a masterful singer and performer,” says Rolling Stone. His two best-known songs are only some of the many pop,  rock, country and R&B chart hits he wrote in the 1960s (Janis Joplin,  Aretha Franklin, Dusty Springfield and Frank Sinatra all recorded his  songs).  Taylor was then one of the pioneers of the pivotal country-rock  movement as a recording artist in the 1970s.   His 1973  album, Last Chance, remains a beloved cult classic.  But  after refusing to play by the Nashville establishment rules, Taylor gave up  music for full-time professional gambling in 1980.

“Chip Taylor could’ve rested on his laurels years ago and still been way  ahead of everybody else today.  Lucky for us he didn’t and he’s making  some of the most relevant music out there,” said Buddy Miller just last  year. Since returning to music in 1996 he has enjoyed elder statesman stature  within the Americana, contemporary folk and singer-songwriter scenes as an  artist in his own right as well as in collaboration on albums and in  performance with Carrie Rodriguez, Kendel Carson and John  Platania.  In a remarkable and prolific run, Taylor has released  nearly an album a year since his return, each rising high on the Americana  chart.  As England’s The Guardian notes,  “Chip Taylor, like Johnny Cash, is well worth rediscovering by a new  generation.”

One of Taylor’s recent albums, The Little Prayers Trilogy, was among the  best-reviewed album of his long career.   Mojo called it “a  masterpiece while Uncut said it was the ”Crowning glory of a storied career”  and placed it on its Best of 2015 list. Country Music People gave it ”Five  stars .. nothing comes close.”

Taylor has been involved in a series of amazing projects in the last several  years. Norway’s premier folk singer, Paal Flaata, recorded a full album of  Taylor songs, Wait By The Fire, and rode it to the Top 10 and a  Norwegian Grammy nomination.  He joined with Carrie Rodriguez for  a reunion tour this past fall behind the 10th Anniversary deluxe reissue of their  Red Dog Tracks album.  The Grammy-nominated Yonkers NY (2009)  shows his facility with storytelling within songs.  A collaboration/duet  with John Prine – 16 Angels Dancing “Cross the Moon – was the centerpiece  of a special vinyl release for Record Store Day last year. And coming in 2017  is a book/CD, Son Of A Golf Pro, which combines the story of growing up  on the golf course with often hilarious songs about the sport, and a deluxe  reissue of his three 1970s Warner Bros albums (including Last Chance).

As Taylor’s muse continues to fire on all pistons, musical tastemakers agree  that fans and listeners should tune their ears into the continuing creativity  of a true musical master. “If names like Willie Nelson, Guy Clark, Kris  Kristofferson and Townes Van Zandt mean anything to you, you should make a  point of discovering Chip Taylor,” urges critic Anthony DeCurtis.  “Whether you know it or not, he’s earned his way into that exalted company.

Garry Tallent from The E Street Band and special guest Kevin Montgomery

Tickets for both these shows selling well. Only a handful left for Garry Tallent. Buy tickets now.

The longtime bassist for Bruce Springsteen’s E Street Band will be the boss this May when Garry Tallent embarks on his first solo run.  He, along with Nashville singer-songwriter Kevin Montgomery will be stopping at The Errigle Inn with his 7 piece band featuring Americana favorites, Fats Kaplan and Kristi Rose.

Often introduced during Springsteen’s mammoth E Street Band shows as the “Tennessee Terror,” Tallent was born in Detroit and grew up in New Jersey. The “Tennessee Terror” moniker supposedly came about following a drive through the Volunteer State.

Tallent has an album to go along with his tour.  The rockabilly-packed Break Time is available on vinyl and CD as well as via digital downloads.

Break Time just might be an apt description of Tallent’s 2017 situation.  A founding member of E Street, Tallent will be part of Springsteen’s Australia / New Zealand tour beginning next week and running through February. He will begin his tour of the UK/Ireland on 25 May.

Montgomery’s mom sang with Elvis and Dad wrote songs like “Heartbeat” for Buddy Holly, and was his first musical partner. Montgomery has written songs for Martina McBride and sung on Lee Ann Womack records, and is a hardcore troubadour with four 50 States in 50 Days tours under his belt.


Full band show
The Errigle Inn • Wednesday 26 July’17
Buy tickets now.
Chuck Prophet describes his new disc BOBBY FULLER DIED FOR YOUR SINS as “California Noir.” He says, “the state has always represented the Golden Dream, and it’s the tension between romance and reality that lurks underneath the surface in all noir films and paperbacks, and that connects these songs. Doomed love, inconsolable loneliness, rags to riches to rags again, and fast-paced violence are always on the menu on the Left Coast.”

Who is Bobby Fuller? He’s the star of the ultimate Rock and Roll Babylon feel-bad story.

The title track came out of an obsession Prophet shares with co-conspirator klipschutz. Prophet explains, “One day we were sitting in my so-called office South of Market listening to LPs, when out of frustration –I picked up a guitar and shouted, ‘I hear that record crackle, the needle skips and jumps!’ and klipschutz shot back, ‘”Bobby Fuller died for your sins!'”

One thing led to another, and ten months later he found himself at the legendary Hyde St. Studios in the heart of the Tenderloin “slaving over a hot two-inch tape machine, cutting tracks with Brad Jones, Paul Q. Kolderie, and Matt Winegar riding herd.” And pumping it all into the echo chamber. No computer in sight and two-inch tape boxes stacked up to the ceiling.

Prophet realizes that the title track makes a heavy claim, and laughs at the suggestion it might shine new light on the mystery long surrounding Bobby Fuller’s early demise. Fuller, who migrated from El Paso to L.A. in the early 1960s, has been described as “a greaser in a world of Beach Boy bangs and Beatle boots, hopelessly out of step with the times.” Found dead in his car at the age of 23, to a devoted coterie of fans, old and new, he’ll always remain the skinny guy singing “I Fought the Law,” on countless teen dance TV shows, and radio playlists. Ruled a suicide, his death has haunted investigators (and biographers Miriam Linna and Randall Fuller) since 1966. “Some resolution would be nice,” Prophet says, “but I run a band, not a Cold Case squad.” The Mission Express, Prophet’s band, which includes his wife Stephanie Finch, provided the backing. “Talented, difficult people who all played their hearts out. You can hear it,” he says. And recording at Hyde Street – walking distance from his apartment – was a homecoming of sorts. “I did my first session there, in high school no less,” says Prophet. He even dragged out his ’64 Stratocaster, a guitar that Jonathan Richman said sounds, “like gasoline in the sand, like a motorcycle at a hot dog stand.”

Prophet says, “there’s a serious Link Wray jones that you might not hear in here too. But it’s there. Guitars and drums. Rock and roll. I just haven’t found anything that hits me the same way. That two guitar, bass and drums feeling.”

With titles such as “Bad Year for Rock and Roll,” “Post-War Cinematic Dead Man Blues,” “We Got Up and Played, and, “If I Was Connie Britton,” Prophet allows that, “there just might be some songs on this one. John Murry, who is never at a loss for words, says the goal is to make a record you can be proud and unsure of at the same time. Naked and belligerent, but sweetly so… I can’t improve on that.”

“Bad Year for Rock and Roll” is a timely homage to rock greats lost this year, Prophet name-checking David Bowie in the opening lines: “The Thin White Duke took a final bow / there’s one more star in the heavens now…I’m all dressed up in a mohair suit / watching Peter Sellers thinking of you.”

The album closes with the blistering “Alex Nieto,” which Prophet calls “my first protest song. I know you’ve listened to me rant about Twitter and how I believe San Francisco is under siege by techie man-children and billionaires.” But still, he never dreamed he’d be in the middle of a culture war with real bodies. Born and raised in the City, Alex Nieto was on his way to work as a security guard when he ended up with 59 bullets in and around him, all fired by the police. There’s a lot more to the story, and the details are available to anyone who wants to know. The song is a two-chord homage to a good man who should still be alive.

Just one more sign of the apocalypse.


Thursday 16 November ’17 •  Buy tickets now.
A regular visitor to the RMC over the years. This time Martyn will be playing in Fitzroy Church on University Street

Compared to Bruce Springsteen, John Mayer, Bruce Cockburn and Dave Matthews, he has created his own style and reputation as a mesmerising live performer and stands in his own right, built on a reputation for giving what thousands have described as the best live music experience of their lives. A unique talent driven by passion, social awareness and love for his trade, his music manages to empower and speak for the many. He’s a jaw dropping guitar player who has developed a unique percussive style, teamed up with a powerful show stopping voice, and has been called “The Welsh Springsteen”

Martyn was awarded Best Male Artist at the 2004 BBC Welsh Music Awards and in 2012 his song “There’s Always Maybe” won the best folk song category in the World Independent Music Awards. In addition to his 5 top 50 UK hits, the importance of his work has been recognised by programmes such as BBC 2’s prime time series on Singer/Songwriters. Social justice has an essential presence throughout his music, which has been recognised with various humanitarian awards and plaudits.

Concerned with making music that is relevant and vital to his audience, he engages with challenging narratives tackling the complexity of the human condition underpinned with a promise of hope. In his own words “Really what I do is to try and write songs that might step up and make some sense of a moment in time. A good song makes you feel like you’re not alone in the world.” There is a versatility to Martyn’s music that is hard to categorise. Many have tried, resulting in labels such as Folk, Rock, Soul, Folk Funk and Americana; all of which somehow miss the mark. But sometimes music doesn’t need a defining genre and with the ability to articulate a sense of the bigger picture, Martyn’s music and social commentary manage to empower and speak for many. His songs are pictures, and stories, and feelings all put to music and delivered by a master craftsman.

In 2013 Martyn released a CD of Bruce Springsteen songs, to great public and critical acclaim, with the glowing endorsement of Dave Marsh, acclaimed American music critic and official Springsteen biographer.

His most recent CD Sanctuary was released in Autumn 2015 to great critical acclaim. The album was produced by Grammy award winner Ben Wisch and it musically pools myriad influences and is lyrically contemplative, honest and big-hearted – attributes that also convey a sense of both the artist and the individual. It’s impossible not to share his optimism for the collection.

2014 saw him take the spirit of his music onto a more practical footing with the launch of his “Let Yourself Trust”, a not-for-profit organisation which aims to make a small difference out of great love and commitment by challenging injustice wherever it’s found, educating via advocacy, campaigning for human rights, and raising issues that have been forgotten or ignored via fundraising initiatives, thus bringing about greater awareness for beautiful people in powerless situations.

He has won the love of audiences from USA and Canada to Europe through an impressive number of live dates, and has previously toured with the likes of Art Garfunkel, Jools Holland, Ani DiFranco, Suzanne Vega, Mike and The Mechanics, Joan Armatrading, Celine Dion and Shirley Bassey. He is hailed as a raconteur weaving tales on topical concerns, as well as stories on the fragility of love, with a magical ability to reach out to his listeners through his passion and humour. Stunning reviews single him out as an unmissable solo performer whose music stays with you long after the show has ended.

Martyn Joseph. A unique talent driven by passion and love for his trade, continues to write, sing and play from the heart. It’s a road he’s been travelling for most of his life and, as he often tells his audience, ‘you keep turning up and so will I.’

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